Wednesday, 19 August 2009
All that I can see.
The
bankers
lamp, Purple lighter Yellow lighter, small tumbler, The lesson of the master, jiffy bag mouse phone, parallel texts (end left side) Three empty bottles of wine - Chile Chile France, pen pot of peace, sunglasses Adorno Biography polity/ Muller-Doohm, proposition, science of sleep easy wipes.
bankers
lamp, Purple lighter Yellow lighter, small tumbler, The lesson of the master, jiffy bag mouse phone, parallel texts (end left side) Three empty bottles of wine - Chile Chile France, pen pot of peace, sunglasses Adorno Biography polity/ Muller-Doohm, proposition, science of sleep easy wipes.
Poem of the day
JEJUNE WAS HE THE POET,
MATERIAL IN THE WORLD
ON THE TABLE DRENCHED IN
DEEP ENNUI, GRASPED AT FALLING
HOPES OF CRADLES FILLED WITH
PRETTY JOYS AND CHINS
MATERIAL IN THE WORLD
ON THE TABLE DRENCHED IN
DEEP ENNUI, GRASPED AT FALLING
HOPES OF CRADLES FILLED WITH
PRETTY JOYS AND CHINS
Of Cod
"deliberations that masquerade as philosophical
but are inept, incompetent, deficient in intellectual seriousness, and reflective of an
insufficient commitment to the pursuit of truth."
but are inept, incompetent, deficient in intellectual seriousness, and reflective of an
insufficient commitment to the pursuit of truth."
Digression Piece
A codpiece (from Middle English cod, "scrotum") is a covering flap or pouch that attaches to the front of the crotch of men's trousers and usually accentuates the genital area. It was held closed by string ties, buttons, or other methods. It was an important item of European clothing in the 15th and 16th centuries, and is still worn today in performance costume and in the leather subculture.
Wednesday, 5 August 2009
Tuesday, 4 August 2009
Derek Haylock[28] claims that the opening motif of Ludwig van Beethoven's Symphony No. 5 in C minor, Op. 67 (c. 1804–08), occurs exactly at the golden mean point 0.618 in bar 372 of 601 and again at bar 228 which is the other golden section point (0.618034 from the end of the piece) but he has to use 601 bars to get these figures. This he does by ignoring the final 20 bars that occur after the final appearance of the motif and also ignoring bar 387.
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