Saturday, 25 October 2008

Any number of peopleANY NUMBER OF PEOPLE

Soft Cover. Use d Fine trade soft cover with French wraps items have varying degrees of wear 0415253802 TRADE PAPER. USED 0415058317

Its you and its me and it includes our country

Know what this is sir?
-This is ours, it is a gun.
Excuse me I ordered the middle of a meeting. Where is my middle of the meeting?
-I am sorry for the delay but thanks to the extra strength charging monthly, your middle of a meeting should arrive the same day, after its journey over the whole year.
Respond would you please, I am listening.
-I am sorry to hear that the supermarket will pay more to prove the delicate balance of the universe. They claim that injury lawyers will exactly restore the universal balance. Your total discretion is jolly old essential for both of us
But, we need to win thank you very much, we missed the call about where the blood was on this body there.
-Is the gun on the floor where you saw it?
Here, isn’t this weird?
-No, we arrived about the same time. Could you help me punch the image off the cigar smoking politician with cash?
Goodbye cash? Shouldn’t we punch those buttons?
-We need a big favour. There is blood on the underside. It must have dried before an inexpensive Christmas. His hand fell on the floor, dropping some time later…
Fascinating, but not beyond paying nothing for a year…
-The explanation is in the hand but I don’t know about the finger joints. the spasm has made everybody want to play to win. Most quivers shake it off brilliantly in a million years. Conjectural analysis means we like our prices to be small outside a court of law .
the information you just gave me is priceless anytime.
you always know who is the murderer. Goodnight
-Goodnight

New Leadership criteria

Six, additional

Enough evidence

I did something absolutely ridiculous not the same old thing. I heard hype say that he gave the offering to stop the academic finding a new thing to write about. That is how important this feast was to stop devouring. A packet of crisps full of emails from readers saying he had 7,000 sheep right here in the middle of this land. The wealthy man and I have the same problem with grilled sardines lost in the hype of it all, interestingly all kinds of clothing including washed underwear in the actual zoo. Is this little Norwegian Ambassador British? I used to watch what demographics were all about, I have had no corned beef or chips A brand new recording and now oh yes you know what I do that’s right I see much better are you quite better than mine discuss the results mine were quite small. Buying your own hype is dangerous gunshot in the concert hall told you this was a tough town in the final week careful under the circumstances a case and a half is hwe telling the truth I promise the voice on your radio and good reading we what the hell is this let me explain something I want things the way I want things thanks he already spelled it out to me. It pains me to say listening to the sermon old clothes mental picture formed always dressed ion a felt hat security a coat like a lower extremities and boots constructed as a wearer in a river endeavoured to compensate for solidity I’ve obviously that is not so bad
how many miles and donkeys do you know when he got it back
Out of control that is what I want to know yawned privately
if you study history on the day ladies and gentlermen the former and the later
Triple cook I am going right now I am going to people of increase and overflow right now adopt a tiger for three pounds a month
Wizard boring after a while
and pray and say the prayer there is three hundred people
A major influence I need to ask you some questions
hype says they obeyed when you read history back double stole blessings
Funnily enough I am here on a book tour
this season A total change in numbers the phone right now those believe the hype I
Tell you what it is
dreamers and double new announcements hype is ready to explode
Seafood jelly Can I have a moment
meet eight trees I’m kind of lost here go to your phone when you study history
What I said in my review she offered to get rid of it
the hype says follow me to the I feel that I am at that point. Today is not over yet,
Good manners at the heart of the prawns
we only have about sixty hours left.

Present moment

Suburbanonmoutaindisuedcreamcandlecarpetstashmemoryfirenotfirefloorboardreturnedmatchingflatandwidescreenforscreeninchessmallceramicfemalesdriedflowersfrenchprintofbreakfastlampautumnhazepicturecreamwindowdevidedblindoneflowersoutsidebeyondupstairsgutteringroofwindowtwomiddletreeonlytreelordfostertotheskyofdullwhitewindowthreehazeltreewindoutsidelampostconcreteperchedcreamwomenholdingeternalbunchwindowfourhazeltreeonwindowtreatedwoodcornerangleaerialpatchedsubtlebrightestcloudchanges

Awarcrime

B a t t l e p l a n


Yes, said as one of the five wounds means, (post-awakening) means are freely slammed when found “sleeping in there…with personal finance” . Means, mean to make available a discount for swallowing ball bearings, built and achieved via attrition feasting upon infrastructure. “Too much double portion going on down there to prove capable of getting on with destruction.” He said these words but this is wrong. The heating was begging you on to take the offering and remember the old wax cylinder, yes. To complacently punch the powder wall this morning and nearly going through very generously. “Still here Mister, only came down after more physio because I fancied a cup of tea with enemy targets and wine tasting combining the ‘anything I can do for you?’ and the foremost accuracy as usual." Applause. “The best in the world,” I heard you say, “Like this mummy look…” at big whiskers on screen facing a fight to keep hold of the shaded black. The waiting is over, next time the boldness of the special price will be with you in better than real good time. Remember that he is not the answer, he is more than a match for the fifteenth battalion, who have become so emblematic underneath all this rubbish, busily getting on with the outnumbering of science towards modern anger for the giant elephants over there invading the tributes to lost friends. The only other candidates dig resources to recreate your loving veteran hands while punk opponents plan ahead by speaking their minds putting early ancestors side by side. Refusing to send the deep searching flute away no doubt for news and or sport of troops fallen climbing with a fanfare beat. “Trowel, It is not as bad as it seems. We have equal numbers in the clubhouse and substantially fewer total bomb killers. What do you think of that then?” Pause for whoever else there could have been taking inestimable advantage of the hostile radar station and your loving hands darling. In the aircraft miles away, in that area a major malfunction failed to recognise that all my faith had goose bumped and had got out of the ground and was now importantly hanging in the balance which will drown If it rains. Passed back to top bosses hanging a piece of ‘Hear in full’ music over the suspended furnace. “That is not really why we are here, this loan crisis doesn’t have to sign up to the difficult period of falling. What you have got to realise is that a serious rescue of cars and broken labour-man will arrive within the considered area as a reduced licence. Make no mistake, rights will be axed that sit in a dustbin bought and slashed three and thirty times. We can hear about this right now at command headquarters.” A very cold climate at that stage developed the importance of assaulting the whole interview online. The difficult decision of the water carved a channel in time to test the radar system in the stealth of the vital third. The catalyst for the change sounded,
“We always fail to find the edges required to find the balance for a unified relative strength.” Of course

Suppose he did not know about it

Saturday, 18 October 2008

THE
RICH
ELITE
ENJOYING#THEMSELL

THE
RICH
ELITE
ENJOYING
THEMSELVES

MISSION STATEMENT (10)

To provide a dynamic, proactive and responsive service, committed to the maintenance and promotion of health and wellbeing of the students and staff at University.

Tumult


Presuppose 'they' have done it.
'They' have done what?
What have they done?
'They' , are a body of people.
Co-opted minds have done this.
It has been authorised and 'this' is made official.
An official reworking or redefining over and against 'it'.
It was a painting it is now album artwork; a reworking.
A legitimate intervention, authored.
Produced not from within, from without.

Friday, 17 October 2008

Euro

OFF TO ITALY!
OFF TO ITALY!
OFF TO ITALY!

Wednesday, 15 October 2008

last turn

Crowded out of place and the never hurry and worry about picking the wrong place to stay that is not the start this is how and then how he heard something he memory better and then we were correct and a many a maqn of rational qualities of how and why sculpture as it starts what is in there, this bag is not, food and then music big fat woman oh. Rules for everything cannotuse that one

The lifter of the mood


The run of the young
The thing about the unspectacular
Smoothness awaiting an end product

Prime still to come
over and off the cliche
livelyness of mind

The spectator mode
long way back
stiched through

As if, formed


Is nothing not never else the case
plastic arts
the plastic face
minimum wage
plastic faith
turned and momentum
safely wasting
shattered

Tuesday, 14 October 2008

Teller tales

MISSION STATEMENT (9)

The University is a public resource for knowledge and learning, working with and on behalf of people and organisations to solve practical problems.We strongly believe that learning is fundamental to the transformation of individuals and society. We are unrelenting in our desire to stay abreast of commercial, social, cultural and economic change and incorporate its impact in our courses and in our work with partners.We celebrate excellence in others and willingly bring their good practice back into the university and into our partnerships. We are proud that all elements of society are fully represented among our staff, students and partner organisations. We embrace diversity and value difference. We show adaptability, rigour and flexibility in identifying and meeting the needs of individuals and organisations. We respect and value the traditional role and achievements of scholars and universities, while seeking to create a model of higher education which is focused on innovation and application.

MISSION STATEMENT (8)

The University is proud of its origins in the city of Birmingham and of its first hundred years as an inspirational centre of learning, teaching and research.

MISSION STATEMENT (7)

The University of Exeter helps to shape the future by extending the boundaries of knowledge for the benefit of individuals, society and the environment. Our vision is to be a leading international university, recognised for the high quality of our research and the distinctive student experience we offer.

MISSION STATEMENT (6)

The University of Bristol is a world-class institution that contributes to society by advancing knowledge and developing creative graduates, and through its cultural, social, economic and environmental activities.

MISSION STATEMENT (5)

The objects of the University shall be to advance learning and knowledge by teaching and research, particularly in science and technology, and in close association with industry and commerce. ... the advancement of knowledge, the dissemination and extension of sciences and arts, the provision of technological, liberal and professional education ... The mission of the University of Bath evolves from the above quotations from the Charter and Charter Petition. The principal aim of the University is to deliver that mission by the continuing development of its distinctive academic style, based on a belief that teaching and research are enhanced by being conducted in an atmosphere where the application of knowledge to useful ends, in the light of the requirements of the contemporary world, is seen as complementing on an equal footing the basic processes of acquiring and disseminating knowledge. The University looks resolutely to the future, and sees itself as a research university whose context is European and international as much as local and national. Three strands can be identified in such development: quality, balance and diversity. The University of Bath is an institution committed to the continuing review and improvement of the quality of its activities. We aim to admit able students and help them to emerge as some of the best and most sought after graduates of their generation, with an education which fits them for leadership in the future. We aim to conduct research which leads to significant advances in our subject areas when judged by the most exacting international standards, and at the same time demonstrates that solving problems arising in the application of knowledge can be as important an intellectual achievement as solving problems posed out of curiosity. We shall actively promote quality in teaching and research and shall regularly evaluate our performance against our mission. We seek to establish a proper balance between different aspects of our activities. Teaching and research are complementary: we believe that good university teaching needs the invigorating stimulus of active research, and that the disciplined approach needed to make a new topic teachable canfeed back to influence the future course of research. Pure and applied work in both teaching and research are also complementary: we welcomeopportunities to work in collaboration with industry, commerce and public services, but would never wish to lower our sights from education to training or from research to development, since we believe that one of the hallmarks of a high-quality university lies in its ability to invest in the longterm intellectual future of its students, its staff, and the community at large. We seek to move towards a subject balance in which the scientific and technological dimension is better complemented by the humane and artistic dimension. We seek also to place our academic portfolio in an enriching social, cultural and recreational context. We believe that nationally most universities do not provide adequately for the distinctive style of education offered at the University of Bath. We seek to remedy this by making our activities more widely accessible to diverse students; at the undergraduate level both to students with conventional qualifications, and to those who have acquired their background through less standard routes; and at the postgraduate level through the establishment of courses which can be pursued concurrently with work in industry and commerce. In today’s complex and changing world, education is a life-long endeavour. We aim to make our research activities more accessible to industry, for example by the expansion of research partnerships and of high-level short courses, and the more vigorous exploitation of the intellectual property arising from our research. Finally, we aim to set the University of Bath ever more firmly in a European and international context, in the belief that to bring together people from different countries to understand and test one another’s ideas is the most effective possible method of preparation for contributing to international understanding.

MISSION STATEMENT (4)

To be a world-class research-led university, to provide teaching and learning of the highest quality, and to contribute to the development of the economy, health and culture of a sustainable Wales and a sustainable world.

MISSION STATEMENT (3)

We have broad strengths at Aston. We start from a position where our staff members have a strong commitment to teaching and research and real strengths in both.We combine close and important links to our local community with a growing international reputation. This gives us an exciting and challenging mission - especially for a small university - to develop the three corners of our academic triangle: delivering an excellent learning experience for our students, enhanced by interaction with internationally recognised, relevant research, and linked to innovative support for local companies and engagement with schools and the community, involving students and staff in raising aspirations and attainment.

MISSION STATEMENT (2)


Our mission is to be a first-class teaching and research University which is responsive to the needs of our local community, and those of Wales and the wider world.
UWA will provide students with learning opportunities of the highest standard, offering a distinctive environment for study and a high quality of life. We will respond to the changing needs of society for skilled, educated and employable graduates. We will engage in high quality research which satisfies intellectual, cultural, scientific and economic needs, contributing to, and, where appropriate, leading international research agendas. We will contribute to the social and economic development of Wales and play a full and active role in sustaining its culture and the Welsh language. We will serve the community in which we are based, collaborating with local institutions, as well as with those throughout Britain, Europe and the wider world. We will contribute to the achievement of the Welsh Assembly Government's long-term strategy for the HE sector in Wales, as outlined in Reaching Higher.

MISSION STATEMENT

We aim to be recognised locally, nationally and internationally as a broad-based university that delivers innovative and excellent teaching and research.We are committed to positive change, to celebrating culture, to embracing enterprise, and to pioneering new ideas and inventions. In all that we do, we build on the distinctiveness of our northern heritage, on our location in the energy capital of Europe, and on over five centuries of consistent service and outstanding achievement to society.


S/T/I/A/S/B/I

Maple and Pecan slice, hazelnut and chocolate, caffiene drink, small black coffee, peanut butter bar faintly left wing news, large black coffee, chicken meal with lemonade

Monday, 13 October 2008

ASYLUMtimes

PRE
Presecription
!

The last verse of the first poem

Satisfactory achievement is the loss of self
Under the onslaught - Turn Away! -
In fury, what was his name?
The face of the foundation of this
Republic the union and
The rest is quite beyond words
Satisfactory achievement is the loss of self
Under the onslaught - Turn Away! -
In fury, what was his name?
The face of the foundation of this
Republic the union and
The rest is quite beyond words

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Sunday, 5 October 2008


.


Oh
the
death
and
the
idea

ALL AND CROWDED

The use then
becomes the point,
otherwise the point
is the use
THE USE THEN
BECOMES THE POINT
OTHERWISE THE POINT
IS THE USE
The uninhibited dream of textual foulplay
Of course,

isitperhapsachoicebetween.com

Saturday, 4 October 2008

Bookclub
To approach with solid idea that is tighter than usual, bringing such confidence
Cornered shelves
pspahrep yrteop htiw nuf
Arad

Oh!The great works
Lexicon Classic

TAP TAP KNOCK UP THE ACADEMIC
penguin

and and
Sanguine paragraph
L that in the majority holds for what it is not but is always an extension/retension from what that it is. a
"the coat"

Infantastilist


False seven pound punt
The slopes, grained and the unplaying
Cache,visor and curtail

"onelifeliveit"

The object presented itself as an aesthetic gift
On the street, tall and sentinel
four legs and a small, smoothly running drawer.

My hands could not carry her

On my return to the place,
She had gone
For some other.

Wednesday, 1 October 2008

WHERE IT ALL WENT WRONG

The most famous painting in the world
Behind the smile lies the curse.
Familiarity looses meaning, she is
An example of what art has become.
"What binds these glittery baubles?"
-The shift is all about money
A story is watched, unfolding
Seen with growing disgust.
It is the vast inflation
Effect, and intanglement.
The Curse and the death of experience.


This curse has infected entirely
The contemporary demise of
Cutting edge work.
From new york or the desert of
Writing about art.
A long time ago, Florence the
Great centre of art and patronage
Destroyed.
Inclined to help?
Help with the salvage of the after
Confirmed that art is more than life
There is no choice but to watch
The curse and the death of indifference


These rise and rise of the contemporary
Unregulated markets
Feeding bullish collectors
The army of auctioneers
Museum culture is dwarfed
Global brands and a branch of the louvre
Decades of Harking back
Strapped to a bed in an air conditioned suite.
The Independent artistic cause

Cultural extension of the arms race
"Welcome to the US madam"
Created new expectations about art
The gallery is jammed
The month of display,
over one million americans filed past
Artwork to icon
Living in europe
Change the way art was seen
One screen, the picture itself

They did not come to look, but see
Facsimilie in america
A great renaissance artist
Other extraordinary portraits of the period
Memorable calm intensity
500 years after, famous portrait mad
Now treated as a photo in a magazine
Quickly scanned then discarded
Why don't they send the copy

A nightmare of the future of art
Passive art imbibers
Glimpse into the future
The orgy of consumption

2.

Art radio, cultural roundup
The centre of the art world
Cetain terror, over scale
Concrete and dreamlike
Confront a reality
Influential, very excited
Survivors of Abstract Expressionism
New art critic
Exciting/Confusing
Greatest Artist who introduced me to this world
Art - what am I doing here?
Broke form and content boundaries
American energy

None reacted to mass culture more intelligent
A new kind of history painting
Retroactive soace technology
Fixated on media subjects
Idea of orginal genius
Image glut
Simple media device
There was that feeling to secrete a culture of vitality
In just a few years, art as commdity
rather than art as art
Still painting at seventy five
Early training
Speed and amplitude
Finger on the pulse
Friends for forty years

Dig, dig, digs
Extreme judgement
"That could be him!"
Step there
New ghostly style
"No!"
collecting art exclusively for profit
Investments
"No!"
Bills paid, buying art
4,000 works, big names
Conceptual minimal work
Not widely accepted
We bought it because we liked it
We were able to afford what we bought
Now we can't - that's ok, that's progress

Direct from studios
Prototype, collection as assets
Shrewd expansion
created funds bought alot of pictures
This one, three sales or nothing
Totally broke
Some more paint
I sold them
1-2,000 on average
Museum of art
Shrewd move, instantly increasing its value
Contemporary art department wanted
Something 36 times
part of the game

In the game between museum and collector
Ownership is involvement
Exciting, involved, make money for you
Art, different kind of a high
50 works through sotherby's
An investment
I suppose
Shameless self-promoter
A question of money
Art is a fine, toney thing
Then they bid wildly,
hard cold money
Artists suspicious
Really pissed off

Angry artist
Stop mocking them
American contemporary art
born as a commodity"
"Perhaps the death"
Sold, £85,000 dollars
They were idiots
His work was going for a price
Ripped off by the auction
I've been working my arse off for you to make that profit
You buy the next one
Has any artist got anything from a resale?
After the sale, they fought for royalties

Royalty bill, opposed by dealers and auction houses
Shifted emphasis from aesthetics to money
A piece of the action
Contemporary art and money
Galleries out, yuppies in
The imperialism of the market

3.

Blind, its not where it was
Decade of excess
Flooded with expensive pictures
UNREGULATED market
pure investment
prices went sky high
Not critical perspective#
Auctioneers arbitters of taste
12.5 BILLIONS WORTH
prices have a cultural function
To strike you blind
So you can't make you're
own judgement
"There is no better painting"
Please society, charm.
In my opinion
Having money does not make it true
Book of art history chequebooks?
Choices for everyone else
Into the museum
Squeeze museums

More trustee power
Appointed because of wealth
People on list, just given money
Wonderful kind of comedy
Vanity circulating around the museum
Relies on plutocratic whims
One rich collectors
Hedge fund billionnaire
Emblem and so forth

Sensation of amazement
Inert, inedible
A comedy, a tacky comedy
Joke of brand for king
clever marketing
Gratify patron
Museums are strapped for cash
Return as often as you can to find
The beauty that can only be found

Prospect of museums, national gallery
Anything important - hedge fund fellow
Nobody mentions museums in today's market
Everyone gets their chance, moment in history
The last generation
To spend time without thinking of cost
Hunger for the correct experience
Looking for meaning
More to life than the everyday
Price has become function -
To get more expensive
Birth and development
Strangers with whom one could converse
Experience has changed
Mass media, spectacle and the cult of the celebrity masterpiece

Increase in numbers, looses the eye and the mind
Young curator, what was to be lost
And oppurtunity
More aristocratic than a movie theatre?
Why?
I am going to change all that
Museum contempt
Public relations
Advertising, late openings
Corporation paying for shows
Clients and VIP showings
Bitter criticism

Standard practice
A nihilist of the art museum business
NEW director
The right credentials
Training in art and economics
Royal academy as brand
Shows for underwriting
Franchising and pioneering the global brand
Success and failure
Power and importance of brands that represent quality
Quality cultural objects
Branding stategies
Necessary part of the evolution of the institution
Obligation to be populist
Transforms the museum into a commercial model

Western art and culture
Franchised names to the venture of the desert louvre
Shut up shop
Lend the mona lisa on a world tour
Truly transcendental
We have no right to use them as a commodity
Responsibilty for the work of art. It cannot fight for itself

Meaning can change
Art as spectacle is disconnected from context
Looses meaning.


4.

Still a few hours until closing time
The thing itself
Too often reproduced
The corpse, watched with adoration
Wealthy art tourists
CEOs feeding frenzy
Buzzing and crawling around
Products of a new system
The worker bees who became famous and rich
Client can make and informed decision

I think we can sell this
The new modernism
We present to the world
Big diamonds and large homes
I bought
I got
I discovered
It's kind of fun
The act in the circus of events
Contemporary dealing stock
Started with one
Keeping up with things
Spend all my life with bankers
Seeing and buying
Its the same as the for or five dresses
Hunger for new art
aRT PRODUCED, PRODUCTION INCREASED

To give everyone
embrace mass production
Dull celebrity businessmen
Printing dollar bills
Dominance creates multiple global brands
Feeding the hungry machine
Star artists, dominate
Expensive, promoted
Balloned art
800 warhols
All the famous celebrities
Huge supply permits promtion
Some of the stuff isn't trendy
Not worth anyone's while
A love affair becomes an investment
Money talking
All-consuming market
Promotional material
It's perfect.
A plague of art advisers
an army of collectors
Good early paintings
An exercise in picture making
1744
Buyers push up prices
More expensive / more people
As much, a healthy market

Privately it is a way of controlling it
Art associated with money
Not just always but now it is the bottom line
So much money and so little ability
So much of art has become a gruddy game
Bad but useful
Art like this
"Modern contemporary art"
Warhol - visionary
Every door for every artist
Stupid person, he had nothing to say
Stupid, dry repititious work
The more you see things the more they stick to you
Richard Prince - Significant
Own ideas, different types
Weak jokes
Photo transcription
Why does one not see it
The meanings are so real
A effect, the influence

Private collecting buys imortality

The world is going to win
Tightly tied
Something is lost
The painting left the louvre,
but its meaning stayed behind

5.

Inventive and iconoclastic in death
Suggests the death of something about art
Every formal choice came from the meaning
Dense from the meaning
No vacuum, or price
Born of experience not market
"Criticises decadence?"
Decadence copied
Fixation, Obedience and noize and wow! and flutter
Pleasnt dreams from art radio

Coherant senstations
Killed by market culture
Two million two
Sold, thank you very much indeed
Art market
changed art and purpose
The flood that threatened
Turned and roared

The deluge, stripped of everything
but its market value
If we can't have art that tells us
about the world we live in
Is it worth having?
What good is art?
Answer
or die

Composer of the week

We really should be up for this.
The stresses and strains
The failing and the managing
Too much frustration, too little sucess
Perhaps I'm over reacting
Feeling too much Feeling too little
Being to much, and the not too much
It is impossibe to over react.
Stronger, and tempering the truth
Slips and more than intention
Fraud is rather over rated
Blushing, and a sign of bodily reaction
To say and more than to say
"Cover your tracks!"
To say more, and sfeel like too much
But more, and adding
Ordinary language
More than we intended
See you tomorrow
What wull happen in the interim
Surprise, we hear and we say more
Looking and hearing
Late in the day
Intense feeling
"The effect on the people around them"
We have to stop if posdibe
Overwhelmed, ask more of them
Desire is inexcess
More than hatred is excessive
Too much, and feel things
You can believe.
Somewhere in the mix
If only need then you
Summarise behaviour
Suffering than it should
Harming them and mortal danger
Too muchness as a problem
Get over and suffer the good thing
Easily forgotten, hold the attention
To get a hearing, we need recognised
Too much than there is far more to us
Through the death, lose became felt
The fate and grief and the intensity
How would we know?
Indeed when we are at an end
Ourselves are hungry in the picture
The idea exposes the wrong picture
More violent and showing capability
Torture and cleansing and exception
Certain situations and wants
Tells us more than we can hear
What we might be capable of
Physical capacity
Supposed to become
Modern people
The envy and excess
Contemporary idealisation
Secretly more fun and more intensity
Public discipline
Exhilirating and carrying
Discovering sex and experiment
Fear and pleasurable
And not essential enough
Too many, excess with excess
Despair and the cured conviction
Beings and dependancy
Patently more
The road to the palace of overreaction
Extremes of rage of delight, despair
Born of the lack and the too much
People spending time, less and concentration
Grow into ordinary
Normal love and loss, ageing
Excessively excessive
"How could we not be?"
Other than excessive
Some of the time
Definatively
Unacceptable, to find tomorrow night

THE SAILORS RETURN

The rule after the fateful apple
Bewailing their excess
Meaning of transgression
Eating more than is needed
The road of excess leads to
The palace of Rules
Realise the freedom after the fall,
The rule of not too much
Not a simple story
The rule of pause
Sober and sensible
Delighted and excited
So virtuous
Escess
Fanatic, sacrifice
Relationships by definition
Deemed obsessively powerful
Just the right amount of power
Punitive, deities and function
Something described as excessive
Preoccupied, philosopher
Ordinary glory amd of course
Excesses and debauchary
Punishment and transgressive
If we are not believers
Firstly, definition
Excessively in need of devotion
Eager to please
Extreme sceptics
Never got over the fear
Knowledge of too much?
The thing is never ebough
Whits about
Too much of science
Believe things in ways that we don't
Consumer Capitalism and modern liberals
Killing people, most to most people
Traditional to die for
Horrified by fire and more than unnacptable
Bare to feel
In the name, what belief
Tools to manage
Nature, people who have frightened
Love and others
In this view endlessly demanding
Better and moralistic
Not too much for the without
Uncontained, death, permitted
Everything permitted
Even more, and set limited
Too much for ourselves
The complexities of the competition
The emperor of one idea
Sceptics, the way to freedom
Fundemental problem of the ireligious
Invented recruitment, laws of the problem
Tyrannised by the laws and beliefs
Excess replaced by another.
What is the problem of solving
Misleading similarities
A position of suposing
Inspired, posessed by enthusiasm
Willing to do what ever they promote
What might make this behaviour?
Fanaticism, called up to stiffle excessive doubt
Extreme despair or confusion
Excessive acts of uncertainty
"What matters most in the world to me will
not be noticed unless a dramatic statement is made"
A person with a project
Inflamatory rhetoric
Conversion, haunting and presence felt
Inexhaustable ingenuity
An excess of emotion, manipulation
Converted to the exsistence, unpermissable
To end on. Daunting
The something which is too much
To locate, and the state of frustration is literally unbearable
The obsence solution
Formulate the whenever wherever
The unknown deprivation
And the best way of concealing this from ourselves.

29 years of existence

OF ALL THE GRAVE MONUMENTS THOUGHT HIGHLY A MAOSOLEUM GREAT VICTORIAN FORCEFUL PURE GREEK FEW FLOWERS ADORN STEPS BIG SCAL CITY BLOCKS MIGHTY HORIZONTAL FORM IDIOM URBANE PALLAZO NATIONAL HERO VERTICAL STYLE ROMANTIC AND NATIONAL POLITICAL PROTEST CRUDITY AND FIST CLENCHING ARTFULLY WORKED BUILDING ENCHANTING POLITICAL UNSETTLING POWER IT CERTAINLY HAS THE POWER OF DELICACY VERY EARLY CHILDHOOD HAMLET CASTLE AWAY WET DRY COTTTAGE DOOR CONFINED TO THE FIRESIDE WITHIN SOMETHING MORE LIKE A SUNDAY CONCEPT EARLY BEFORE THEM BIRTHPLACE OF THE HERO WARS OF INDEPENDENCE CALL IN AT THE MONUMENT NOWHERE NEAR HOME NATIONAL MONUMENT DISCOVERED NOT OF GEOGRAPHY BUT OF ENORMOUS STRUCTURE REALM OF SOACE AND TIME OBTAIN DECADES WELL BEFORE IMMEDIATELY TURBULENT NATIONAL SWEPT UNIFICATION STIIRRED BREAKS WITH THE STATE EARLY ASTONISHING MOTIVGFACTIONS ODF THE LANDOWNERS "OLD MAN" - RESPONSIBILITIES OF SOCUAL LIFE,CHIEF POSSESTION DOUBLE AS A WHOLE SPLIT IN TWO. IMMENSE TASTE AND SENSIBILIUTY OF THE POPULUS CIVIC MATURITY MISSIONARY SPIRIT, SERIOUSNESS, STONE MASON ROSE AS THE IDEAL, MONUMENTS TO BE DONE OF PRINCIPLES NOT LIGHTLY SET ASIDE, TO SELF DENIAL AND MARTYRDOM ON THE HEAD OF A MONARCH. SUNSHINE VARIOUS AND GOTHIC IS INAFEQUATE AND MUSCLE SHAFT CTS AWAY TO THE DIZZYING OVERHANG AND LAW FERMEMENT MIGHTY SWORD BEARING HERO FULL BEARD HELD HIGH IN THE REGISTER DELIGHTING IN THE SQUOLOR OF HISTORICAL ACCURACY OF THE HORRORS OF NATURE UNINDULDGED OCCASION TO FIND OUT THE LIKENESS IN THE HALL OF HEROES STINNED GLASS NOBLE GLISTERING MEDIEVAL IN JEOPARDY FOR FRIENDS, SIGNATURE TRADE AND LIBERATED ECONOMIC DEVELOPMENT, STAUNCH GRACEFUL APOLLO REFINEMENT SAUGHT, SINGULAR BUST CONSOLIDATED GOOD KING PORTARAIT FANCIFULL PATHOLOGISED MONUMENT KNIGLY SWELLING BREATPLATE TRESSES OF HAIR AND COUNTENANCE AGITATION TRUE BAVARIAN FACE PAINTED AS KING PRESIDING SHARINGMOVEMENT OF MONUMENT OF QUOTIDIEN REALITY ATTENTION IN THE HALL OF FAME BACK IN THE DAYS LD THE DISRUPTION FOR THE VOICE OF THE CONGREGATION TUMULT IN THE FIRST SITTING CONSIDER SINGLE HANDEDLY TWENTY THOUSAND LETTERS DISTRIBUTED ABOUT THE FAUTHFUL OF THE PROPHETS IN THE BURIAL GROUND OF RADICAL INSTRUCTION. STARTED IN A COMMAD IN A DORIC COLUMN FANCY "IMAGINATION" HOME TO THE NATIONAL HALF ASLEEP IN THE DARKNESS WHEREVER YOU TURN YOU MIGHT SEE REMINDERS OF THE STRUGGLES AND THE MARTYRS.

Second third and forth

TAKE YOU FAR AWAY TOWARDS A PEAK, A FIRST STOP NEAR TO HOME. PILLOWS AT HIS HEAD, SOLDIERS HOUSES AND SHIPS. RECOUNTS THE LONG DREAM RIDDEN DAYS IN HIS CHILD GARDEN, GREAT AND STILL. WORKING UPON A SCALE ABOVE LIFESIZE. OVER BUSY HEAD BETWEEN THE LITTLE GIANT AND THE MOUNT, THE ONE WITHOUT THE OTHER, THE MONUMENT DESPITE THE PROPAGANDISING, QUOTIDIAN ELEMENTS, MERE IMAGINATION, ENDLESS REST. A LOOK AT THE LANDSCAPE, ENORMOUS RISE IN THE BLACK HILLS THE RIVER NOT WIDE YET ALL THROUGH NATURE COLUMNS AND SLABS, GRANITE ABOVE THE PLAIN, A LAWYER NOTHING HEROIC ABOUT IT EXPOSE TO THE AIR AN ETIRNITY OF FUDGE AND EMERGING OF STIFFLING SLOW COOLING SLIGHT CRACKING REMARKABLY DENSE A RELATION TO THE SUNRISE BRITE MATERIAL SURVEY YEARS BEFORE TECHNIQUES OF SCULPTURE ALL THAT IS UPON THIS ROCK NO STYLISTICAL PRECEDENT WORK OF GENIUS UNITED DAUGHTERS RIVAL PROJECT UP NORTH TORCHLIT CONFEDERACY TREAUSURY DESTROYED MODELS AND FED FOR THE STATE LINE, THREE PRIMARY COMPONENTS INDEPENDANT OF DESIGN FOUR BUSTS DEBRIS FROM CARVING PROCESS SET TO WITH OUT OF WORK MINERS WHO FOUND STRANGE NEW EMPLOYMENT WASTE MATERIAL FELL. SCREE PROVIDES A DIVISION IN THIS WAY BLESSED WITH AN EMPHATIC CONNECTION TO TEH GROUND IF THIS SOUNDS AT ALL HEGELIAN, FORGIVE ME. AN ENORMOUS STONE MASS, UNTOUCHED STONE MASS, DOWN THE ROAD CONSUMED THE ENTIRE MOUNTAIN EATEN BY THE SKY FOR TIMES BIGGER THIRDLY BRILLIANT AS A COMPOSITION REPEATEDLY REJIGGED BLASTED AWAY WITHDREW CAUSING AN EVER DEEPENING POLITICAL BOMBAST NICESTIES VERBAL RHETORIC OF THE POOR SHOW COMMAND OF FORM IS WEAK, TRANSCRIBED TEXT TO ACCOUNT FOR THE SORRY PROTOTYPE. SCALE ITSELF CLEANSED ITSELF OF PRIDE AND THE INITITIAL PROGRAMME TO A TRANSCENDANT VISION OF ETERNAL ANNONIMITY AKIN TO THE DEVINE. STRUGGLE TO FORGE AND EXCITES AN ANGER THE MORE BEAUTIFUL THE MORE ANGER ARTISTIC BEAUTY REQUIRES MAN TO TURN FROM THE WORLD - TO DREAD BY YOUNG MEN LIKE ANGELS INSIGHTED TO DESTROY STRANGE PRESSURE DRY UP AND BE USELESS STAY ABED, ARGUEMENT ENLIST NOT TO PROSECUTE THE PURPOSE OF BEAUTY. ONE MORE CRACK IN THE STRANGE MANIFESTATION SCOND CLIFF FACE CALLED THE HALL OF RECORDS SERIOUSLY BELIEVED THEY WOULD SUBMIT THEIR DOCUMENTS INTO THE FATUOUS PROVISION OF WORDS RATHER THAN THE COMPLETION OF THE HEADS. UP IN THE MONUMENT THE WORKING BEHIND THE GREAT HEADS THE RICKETY HEADS THE PATHOS OF FUTILITY AESTHETIC EXPERIENCE STILLS THE WILL ART PROVIDES A LITTLE DEATH,PENAL SERVITUDE FROM THE STILLING OF THE WILL NOT VGIOROUS FOUND AROUND THE SIDE PROFILE TEARS TO OVERWHELMING SATISFACTION OF ACHIEVEMENT OF THE LOST SELF UNDER THE ONSLAUGHT - TURNED IN FURY WHAT WAS HIS NAME IN THE FACE OF THIS FOR THE FOUNDATION OF THE REPUBLIC THE UNION THE REST IS QUITE BEYOND WORDS.

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